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The Ripple Effect , must be bound by multiple constraints. Sam Falls sends photos of textures and ceramics of motifs of so many natural details that DeFeo would have enjoyed focusing on them. The Rose is that palimpsest which, in terms of paint, bears all the marks of a bas-relief weighed down by all the sins of art history. Measuring almost 6 by 3 meters and self-supporting, this is a dark screen on which our fantasies of an art history can be affixed and finally simplified.

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Trisha Donnelly offers a loop of projected animated images, and two propelled image stills that create a virtual hole in the wall with the intensity of their blue. Measuring almost 6 by 3 meters and self-supporting, this is a dark screen on which our fantasies of an art history can be affixed and finally simplified. Sam Falls sends photos of textures and ceramics of motifs of so many natural details that DeFeo would have enjoyed focusing on them.

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